Firmware Version incorporates the following Read more… Share on Facebook Shoot and print on the go with a 2-in-1 pocket-sized camera and printer. Take complete creative control of your images with PIXMA and imagePROGRAF PRO professional photo printers. Find out where the G7X Mark III wins! ", The Super 35mm sensor gives extra reach for longer lenses compared to the full-frame sensor of the Canon EOS C500 Mark II, offering a different perspective and depth of field for even more creative options. The audio module also holds the LCD monitor, which can be repositioned in a variety of places to suit the operator. "Even hand-holding and shooting action, cranking the slow motion up is incredibly valuable. The EOS C300 Mark III is flexible and lightweight. The C300 Mark III supports Cinema Raw Light and can record RAW data inside the camera body without using an external recorder. "You've got 15+ stops of latitude. Director of photography and long-time Canon user Ben Sherlock has worked with both cameras since their release, gaining a deep understanding of their shooting strengths. Sort: Clear All. Discover how Canon's Cinema EOS, DSLR and full-frame mirrorless cameras are enabling single-cam videographers to focus on their vision. 120 fps supported), frame recording, pre-recording, interval recording. In our view, with its 120 fps shooting capability and superb 4K and great colour reproduction quality, reliability and an easily gradable image with the winning formula of a compact camera body and easy post, we think that the Canon C300 Mk II will be a winner. The huge dynamic range makes both cameras ready for HDR workflows. In tegenstelling tot zijn voorganger, die over een 61-punts AF-systeem beschikte, biedt de nieuwe camera 191 afzonderlijk selecteerbare AF-punten, waarvan er 155 kruissensoren zijn, vergeleken met 41 kruissensoren in de Canon EOS-1D X Mark II. It proved extremely popular for the broadcast and corporate markets and independent filmmakers alike, and propelled the Super 35 format into these segments. “Dual Pixel CMOS AF technology features a CMOS sensor that consists of an array of pixels that each feature two separate photodiodes. There is a bright 1.55 Megapixel electronic viewfinder, and the camera comes bundled with a removable combination 4″, 1.23 Megapixel monitor and control panel. Log workflows provide the user with a higher dynamic range, more highlight and shadow retention, and more flexibility in grading. In post-production, Canon Log is designed to reproduce the entire tonal range that the CMOS image sensor is capable of. That reach gives it the edge shooting wildlife and sport, or for more fast-paced run-and-gun work where a greater depth of field is needed. You also have to mess about with lens adapters too with these cameras which you don’t with the C300 Mk II. For these scenes he opted for the extra dynamic range and high ISO performance offered by the Canon EOS C300 Mark III and its DGO sensor. "If I need 120fps for slow motion in 4K, then the Canon EOS C300 Mark III is the camera that I go to," says Ben. Here is a list of Netflix approved UHD cameras as of November 2020. Now that the Canon 5D Mark III is almost out (see Canon 5D Mark III Specifications), I am sure many photographers will be interested in seeing feature differences between the now obsolete Canon 5D Mark II and the new 5D Mark III.In this Canon 5D Mark III vs Canon 5D Mark II comparison, I will write about the specifications of both cameras and talk about their differences. "Ultimately, the two things that matter the most to me, is that when I take these cameras into a blisteringly hot desert or sub-zero conditions, I need to know that camera is going to be reliable and get the shot," says Ben. The C300 and now C300 Mk 2 bring greater portability to be used as supplementary cameras on brushless gimbals or rigged inside vehicles etc, so this is a very useful additional function. (max. A new feature is ‘Looks’ which is a baked-in emulator of Log settings of other popular cameras such as ARRI Alexa, Sony F55, Varicam and what was loosely described as ‘documentary’. All air is directed through a discrete pathway that keeps dust particles away from sensitive components. A tally lamp is clearly visible from the side or behind the camera. These cookies do not store any personal information. Canon Log2 replaces the original Canon Log and is in essence a flatter version that allows for more information to be retained in highlights and lowlights. In post-production, Canon Log is designed to reproduce the entire tonal range that the CMOS image sensor is capable of. Up to that point, the camera has slightly less dynamic range, and from 800 upwards the dynamic range of the camera remains constant. "It is a camera associated with operating at the highest levels in the industry, that delivers an image that sets it apart from the rest of the Canon line. The C300 was highly praised for using the universally compatible MXF data format onto CF cards. Another USP of the original C300 was that it was manufactured in a choice of either EF or PL configurations but the new Canon C300 Mk goes one better by making the lens mount interchangeable (VMI Workshop service only). Extensive range with quality and brightness. A backlit display panel is great for low-light viewing. The Mk II also features a built-in silent cooling system with a heat-dissipating duct in the centre of the body, a graphite sheet that conducts sensor heat towards the heat sink, three ventilation holes, and a cooling fan that pulls hot air out through an exhaust opening. The handle is also much more solid than on the Mark I, as Canon clearly realise that it will be used with film lenses which are … The DIGIC DV 5 image processor improves colour performance considerably compared to the Mark 1. A video still shot on the Canon EOS C500 Mark II. To maintain proper highlight exposure, it offers a zebra bar feature as well. When you take the best lens, you want to put it on a camera that is going to utilise every single inch of that sensor, and that's what the EOS C500 Mark II does.". EOS M and EOS R Full Frame mirrorless ranges deliver the power of DSLR in the body of a compact camera. "And deliver images that are completely unparalleled." Ben certainly wasn't disappointed by the cameras' performance on his survival and bushcraft project. This website uses cookies to improve your experience while you navigate through the website. Many shooters will be confused as to which offers the better value proposition. There are two different length cables available – the standard 50cm and a longer optional 100cm cable. I have the 70-200 f/4 L which has OIS and is a terrific lens. To put this into English. In addition, the ISO range now starts at a low 100 and goes to 102,400. The EOS C300 Mark II Digital Cinema Camera's re-designed imaging system includes dual DiG!C DV 5 image processors, which work in concert with the camera's advanced Super 35 CMOS sensor and XF-AVC codec to enable a wide variety of image quality and feature improvements. Canon EOS C300 Mark II Canon EOS C700 The device has a standard memory slot (such as an SD or micro SD card slot) that enables you to extend the built-in internal storage with affordable memory modules, or easily retrieve data, such as photographs, from the memory card. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. A lot of C300 Mark II users jumped to the C500 Mark III without knowing a C300 Mark III would follow soon after. Red laser pointers with presentation functions. In short, this is a stunning camera which in our view is considerably better than the original C300 and closer to the premium cinema cameras than the Mark I. The Canon EOS C300 Mark III and the Canon EOS C500 Mark II are Cinema EOS stablemates offering the latest technology to give stunning visual results. The camcorder features two 3G-SDI outputs, timecode I/O, and genlock input BNCs. Small body, big new sensor innovation – discover how Canon’s latest Super 35mm Cinema EOS camera shapes up…. As a consequence, it will give much more grading options and more accurate chroma key etc. The C300 Mk II has gone a stage further and with similarly universal compatibility, the C300Mk II records 4K images to the XF AVC Codec, which is an H.264 format in the same widely-supported MXF wrapper – only now it is 4K. The G7X Mark II supports NFC. Both cameras offer a wide range of codecs in high bitrates and a choice of colour spaces, as well as RAW shooting for the best quality results and maximum flexibility in post-processing. This DGO sensor is definitely a massive step up. The science in there has enabled us to push the latitude so much that it completely erases all the noise in the shadows. Both the Canon C300 Mark III and Canon C500 Mark II were launched relatively close to each other. I think the C500 Mark II, C300 Mark III and C200 Mark II will be compatible with an RF-mount conversion that was rumored earlier. Scientist and documentary filmmaker Roberto Palozzi braved snowstorms and freezing temperatures to film cod fishing in Norway's Lofoten Islands. Canon also has released the extremely capable compact and low cost Canon XC-10 recently which records to the same CFAST cards and records the same high data rate codecs as the C300 Mk II, so this pair will work really well together as A and B cameras. Nick Millen of Canon confirmed that this function is only available in EF mount and when using auto focus lenses of which the Cine servo zooms are not. The Sony FX9 and Canon C500 Mark II full frame cinema cameras. A lock switch turns off all controls except the recording button and function buttons. Business, creative, kit and careers - hear from the world's leading photographers and filmmakers in Shutter Stories. The improvement in image quality will undoubtedly make the C300 Mk II a desirable camera for both large and small productions and the LOOKS function will ensure that it can be considered as a B or C cam alongside ARRI Alexa, Amira or Sony F55 with ease and it will ride on the reputation of the C300 as a compact, easy to use camera which performs faultlessly in the field and presents no problems in post. For faster workflow, both cameras also record internally in 10-bit 4:2:2 XF-AVC, supporting all Long GOP and ALL-I formats, at data rates up to a huge 810Mbps. Additionally, a 3.5mm headphone terminal with 16 volume settings offers accurate audio monitoring. Amazingly, this is not mentioned in the Canon specs. This does not take away the fact though that the Mark 1 C300 was a fabulous camera which was excellently suited to Broadcast acquisition and what was good enough in 2015 really should be good enough in 2016, so we expect that the original C300 will have a place alongside the Mk II for some time yet. Here you'll find profiles of the game-changing photographers and filmmakers on our Ambassador programme. Canon explain why this autofocus is so good with the paragraph below. 2K and HD imagery can be recorded at RGB 444 in 10-bit at 210Mbps, or even 12-bit at 225Mbps to CFast 2.0 using the same codec. Canon Log 3 gives reduced noise in shadows and excellent grading flexibility, while Canon Log 2 provides up to 16+ stops of dynamic range. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. Of course, the incredible 5.9K resolution is the headline figure, but Ben is blown away by the camera's other charms. Il dispose d'une entrée 4 canaux, dont une prise micro, un micro mono interne et deux connecteurs XLR, ce qui permet de sélectionner et de mixer … Experience the ultimate in image quality. In spite of this, VMI is providing the C300Mk II with the full Broadcast and Cine plate and bracket made by ARRI as shown in the images. DoP Patrick Smith on why the affordable full-frame EOS C500 Mark II has made the cut. Download firmware for your Canon product. This comes into a very simple acronym known as High Dynamic Range (HDR). However, the C300 Mk 2 working in 12 bit colour space can now achieve 2^12^3 colours = 69bn colours – this is very impressive indeed! The new feature places a high priority on maintaining sharp focus while providing a natural, smooth autofocus movement with select Canon EF lenses – including newer-generation STM lenses – which offer even smoother and quieter operation”. A 3.5mm microphone terminal is also built in to the camera. Beyond the advantages of file-based recording, the camera offers a number of creative possibilities in post-production including Slow & Fast motion. This means that you have a choice compatibility not only with Canon’s existing broad range of DSLR lenses and EF-mount CN-E cinema prime and zoom lenses but also (with suitable lens adapters), also Nikon ZF and other DSLR lenses too. This combination works so well with the ARRI Amira and C300, so of course we would adopt this approach, as it includes conventional ARRI 15mm bars support and handle system with copious mounting points for peripherals and a very comfortable shoulder pad. In other words, does the extra $5,000 for the C500 Mark II translate into real-world advantages for professionals? This feature works well and is practical for location shooting, as it doesn’t hunt. "For me, colour and the latitude is more important. L'EOS C300 Mark II prend en charge l'audio LPCM 24 bits/48 kHz pour une qualité de son supérieure à celle d'un CD. The body has a modular design that can either be stripped down completely or be built up using the included handle, 4″ rotating LCD unit with full controls, grip, and thumb rest – useful if being used in a lightweight Gimbal configuration. The skin tones and the colours are absolutely mind-blowing.". Superior images for installation environments. Big on quality, small on size. The built-in neutral density (ND) filters of the original C300 were a benefit. You agree to our use of cookies on your device by continuing to use our website or by clicking I Accept. The LCD is built into the removable audio module and the integral high resolution (0.46″), 1.17 Megapixel colour EVF has a 60 degree tilt adjustment too. Additionally, video output from the camera can be … With outstanding low-light performance and a maximum ISO setting of ISO102400, the Canon EOS C300 Mark III enables … 70-200/2.8 L IS USM Mark II vs. Mark III Aug 3, 2018 So, what do people think about Canon pulling another rabbit out of the hat by improving the Mark III over the Mark II in the way that the f/4 L IS USM Mark II improved over its predecessor? The Canon EOS C300 Mark III is the first Cinema EOS System camera to feature Canon's Dual-Gain Output (DGO) sensor, which means it can capture images with wider dynamic range and lower noise, making it ideal for HDR output. Canon's efficient Cinema RAW Light format offers all the benefits of RAW processing – maximum highlight and shadow detail – but generates much smaller files, which can be recorded to CFexpress cards. © Ben Sherlock, The key difference between the two cameras is that the Canon EOS C500 Mark II has a 5.9K full-frame sensor that offers up to 15+ stops of dynamic range in Canon Log 2. "It's got all of the functionality, features and ergonomic genius that we associate with Canon's Cinema EOS cameras, and it is full-frame. The Mk II is a bit larger and heavier (though not much enough to worry about) but is much more expensive than the original and this is reflected in the rental price. Download software for your Canon product. But opting out of some of these cookies may have an effect on your browsing experience. ... Canon EOS 5D Mark II Canon EF 50mm F1.8 II +5 more.

canon c300 mark iii vs mark ii

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